A packed ‘Jim Caruso’s Cast Party’ gives Chicago performers a chance to show their stuff


When I interviewed Jim Caruso last week, he joked that the experiment to bring his Manhattan-based Cast Party to Chicago could be a disaster: “It might just be Billy [Stritch] and me singing all the chestnuts to an empty house,” he said, laughing.

In fact, the exact opposite happened. I introduced myself to Mr. Caruso 20 minutes to showtime, and he held up his list of performers with a look of shock in his eyes. “Look at all these people,” he stammered. “How are we ever going to get through them?”

Well, when I left the packed Mayne Stage at 10:40 last night, Jim Caruso’s Cast Party was still going strong, indicating that the experiment to bring his popular open mic night to Chicago was a big success.

During the two-plus hours I attended, some of my favorite Chicago theatre performers got to show their fierceness, including Bethany Thomas, who, accompanied by guitar, ripped through “Crazy On You” by rock band Heart; Rebecca Finnegan, who sold “Ten Cents a Dance” like her life depended on it; and Rob Lindley, who brought down the house with “Way Ahead of My Time,” a hilarious song about the world’s first gay (cave)man. I was also introduced to some of Chicago’s iconic cabaret performers, including Lynne Jordan, who kicked off the party with her ballsy rendition of Ruth Brown’s “If I Can’t Sell It, I’ll Sit On It;” Becky Menzie and Tom Michael, who scatted together with style; and Joan Curto, who blew me away with her huge vocals.

Another standout was Luba Mason, a Broadway actress appearing in White Noise (which I’m seeing Wednesday and will report back on), who breezed her way through a wonderfully fresh, Brazilian jazz take on “Love for Sale.”

There were also a few head-scratching performances, but that comes with the territory of an open mic night. And there were a few instances where an arrogant NYC attitude stank up the evening — such as when Colleen McHugh joked that she was just stopping through to pick up her dry cleaning. Tacky.

A few suggestions to make the evening run a bit smoother if they come back (which I’m hoping and suspecting they will): Put a cap on the evening — 2.5 hours tops. Who wants to stay at a party that wears on? Also, Caruso, who proves a wry, snappy host, could benefit from some additional pre-planned banter between performers. At one point, he acknowledged how much he dreaded these lulls in the evening. Well, do something about it?

I also found it odd for the host of a Chicago open mic night to have no clue who some of Chicago’s well-known musical theatre talents are — such as Finnegan and Thomas. I certainly can’t blame Caruso for that, but it’s a strange scenario and one that I suspect will be remedied if this becomes a regular thing.

Finally, major kudos to pianist (and, oh yeah, jazz icon) Billy Stritch, who managed to keep the party hopping by arranging tunes on-the-spot for these performers. He makes it all look so easy.

I suspect we’ll see Cast Party come back, as there seemed to be a hunger for this sort of thing, both from the audience and performer perspectives.

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6 Comments

  1. I love Luba Mason! Lucky you. These kind events are always the best.

  2. I hope he does bring it back! I was bummed to miss it. And some of my favorites too…Lindley, Menzie. Glad you guys had fun!

  3. I feel your comments were right on regarding last evening. I am glad to see that an East Coast based regular saw the need to bring his concept to Chicago but I felt it needed a little more organization and research (as you indicated). Also, it seemed at first like he had requested certain singers that he knew to show up so that seemed a bit surprising. Was he that concerned that no one would show up? I stayed til about 11:00pm and it appeared it was probably going to continue for at least another hour so you are right that they need to cap the time at about 2 1/2 – 3 hours. Also, odd that some people he called for did not show up. Didn’t they have a sign-in check list? Why ask for people who did not check in? Also, he needed to ask people he did not know if they were currently in a show in Chicago which he did not always seem to do. Good publicity for them and their shows. Finally, he needs to be positioned at a front booth by the stage so that he can make a quick entrance after an act finishes. I was worried with all his running back and forth that his manspanks might burst. lol

    All in all it was a fun time that I am sure will be repeated, hopefully monthly. The Mayne Stage is a great venue for this type of event.

    John

    ps. You were spot on with your review of Hot L Baltimore. Curious to see what you think about White Noise which I saw at a final dress rehearsal.

    • Hi, John –

      Thanks for the comment and reading my little blog. I agree with many of your comments re: Cast Party, but I’m sure (or, rather, I hope!) these will be ironed out over time — if they bring it back. Which they should.

  4. [...] also attended that first show, and while I did have some quibbles (the length, the over-reliance on NY talent and an somewhat arrogant NY attitude that dampened the [...]

  5. [...] cabaret icon, but because I don’t follow the cabaret scene as closely as I should, I only first discovered Curto in April when she blew me away with her big vocals and disarming stage presence at “Jim [...]


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