First off: congrats to all the Equity Jeff winners!
The shockers: Steppenwolf’s rabidly praised Who’s Afraid of Virginia Woolf? gets a remarkable ZERO awards (with Steppenwolf, as a whole, getting no Jeff love as well). Even Tracy Letts’ mold-breaking performance as George in Woolf was beat out by Harry Groener for his blazing star turn in The Madness of George III. As I noted in my nominee reaction blog post, I think Groener’s award is well-deserved.
The head-scratchers: I love me some Hollis Resnik, but when you compare her very fine performance as the Old Lady in Candide against what Bethany Thomas did in Porgy and Bess, there’s no question: Thomas hands down. Also, while I enjoyed The Madness of George III, Groener’s performance was the reason to see it. The production itself, however, was merely adequate. Without Groener’s performance, I don’t think it would have gotten recognized so much. Out of the nominees, I felt Goodman’s The Seagull was the best production overall. Finally, with all the critical love A Twist of Water got, I’m surprised it wasn’t recognized for best new work, but Against the Tide — a work cited as an ok play with stellar performances by many critics — was.
The best of all possible worlds: Mary Zimmerman’s Candide wins for Production-Musical-Large. While I didn’t love the production when I saw it at the Goodman, I’m fine with the win (I preferred Court’s Porgy and Bess). Following Goodman’s run, Zimmerman’s production has gone on a tour of sorts, opening to strong reviews at Shakespeare Theatre in Washington, D.C. and most recently at Boston’s Huntington Theatre. Rumor is producers are now eyeing a Broadway run.
A solo winner, in more ways than one: Barbara Robertson wins for best solo performance in The Detective’s Wife … but was the only nominee. However, her performance in that show was indeed a tour de force, as others have noted. Particularly the night I saw it, when the upstage projector (which displayed key pieces of information we needed to track the play’s inner murder mystery) stopped working, and Robertson, without batting an eye, improvised by telling us, in exquisite detail, what we should’ve been seeing on the screen. Now THAT’S an actress. Incidentally, I just got a press release in my box announcing Robertson debuting a new cabaret show on December 19 called “Stages of My Life,” which will be a part Millennium Park’s “Cabaret with a View” series, where audiences have a chance to “sit on the stage of the Jay Pritzker Pavilion to experience music in an intimate setting and a climate controlled environment.” From the release:
Barbara Robertson’s “Stages of My Life” features an eclectic collection of music and anecdotes as varied as the roles that she has played throughout her career. The evening will feature songs by Stephen Sondheim, Kurt Weill, Cole Porter, Kander and Ebb, and Kotis and Hollmann, to name a few. Robertson will be joined by Jeremy Kahn on piano. Tickets and more info here >
Anyway. What are your reactions to the Equity Jeff winners?