You either love Beckett or you loathe him, they say. I’ve loathed and eventually learned to love the avant-garde Irish playwright. I recall leaving Steppenwolf’s Endgame last year confused and, well, let’s just say … disengaged. However, the show has stuck with me as I continue to search for Beckett’s underlying meaning. And if that’s… Read More Signal Ensemble Theatre does Beckett proud with ‘Krapp’s Last Tape’